Katharina Pichler (*1995) is a sounddesigner and filmmaker, currently based in Graz (AT).
2014 - 2018: Bachelor of Arts in Timebased and Interactive Media, University of Arts and Industrial Design Linz (AT)
2018 - 2020: Sound Design, Institute for Electronic Music and Acoustic & University of Applied Sciences Graz (AT)
EXHIBITIONS / FESTIVALS
"WERK|SCHAU" (2016) - Art University Linz - Group Exhibition
"Time Out 0.7" (2017) - Ars Electronica Center Linz - Group Exhibition
"TADAEX" (2017) - Mohsen Gallery Tehran - Group Exhibition
"V:NM Festival" (2019) - Visual Music - Farbmusik (2019) - Sounddesign for Animation
"ECHO exhibition" (2020) - ESC Medienkunstlabor Graz - Group Exhibition
Crossing Europe Film Festival (2017) - Screening
Berlin Student Film Festival (2017) - Semi Finalist Music Video
The Monthly Film Festival (2017) - Screening
Bucharest Shortcut Cinefest (2017) - Screening
Austrian Independent Filmfestival (2017) - Winner "Best Music Video"
Young Creatives Panther (2017) - Nomination
YOUKI Youth Film Festival (2017) - Screening
Young Creatives Panther (2018) - Nomination
Vienna Shorts - Austrian Competition (2021)
Diagonale - Shortdocs Competition (2022)
Crossing Europe - Local Artist Competition (2022)
Leiria Film Fest (PT/2022)
Monstrale (DE/2022) - 3rd place Shortdocs Competition
Linz Short Film Festival (AT/2022) - Nomination Best Austrian Film
Kasseler Dokfest Junger Film (DE/2022)
Ekofilm (CZ/2022)
Szczecin Film Festival (PL/2022)
Youki (AT/2022)
Provinziale (DE/2022)
COOPERATIVE WORK
"Residency" (2016) - Ashkan Nematian and Parisa Ghasemi - Set Design
"Johannas" (2016) - Maria Czernohorzsky - Set Design
"Heldenzeitreise" (2016) - Wolfram Paulus - Set Design (Episode 4)
"Wading | Waiting" (2016) - Marlene Reischl and Philipp Feichtinger - Vocals
"Three Sessions" (2017) - Maria Czernohorzsky - Set Design
"Test me - Kroko Jack" (2017) - Felix Huber and Lisa Maria Bickel - Set Design
"Vadient - Kroko Jack" (2017) - Felix Huber and Lisa Maria Bickel - Set Design
"Space Opera" (2018) - Space Pussies - Montage
"35 db" (2018) - Lisa Maria Bickel - Assistant Director / Set Design
"Sehr Lauwarm" (2018) - Lisa Maria Bickel - Assistant Director
"Und dann kam Corona - Frauen schreiben" (2021) - Hörstück - Astrid Ranner, Ninja Reichert, Alexandra Rollett, Johanna Stabinger - Recording, Mix
"aus*rollen – Auseinandersetzungen mit Alltagssexismus" (2022) - Hörstück - Astrid Ranner, Ninja Reichert, Alexandra Rollett, Johanna Stabinger - Recording, Sounddesign, Mix
SOUND DESIGN WORK
"Cut Above The Rest" (2018) - Lisa Prast - Field Recordings, Sounddesign
"Ganz Schön Umständlich" (2019) - Manuel Hüttner and Harry Kemp - Location Sound, Sounddesign
"Horses In The Storm" (2020) - Rolando Menardi (pre TV) - Sounddesign
"Tauchen" (2020) - Dominik Galleya and Clemens Niel - Location Sound, Sounddesign
"Wohin Wir Rennen" (2020) - Shari Ehlers - Sound Editing, Mix
"Karawankenbär" (2020) - Eva Gressel (dreiD.at) - Sounddesign
"Das große Welttheater" (2020) - Beate Thalberg (preTV) - Sounddesign
"Die Rothschild Saga" (2021) - Klaus Steindl (Metafilm)- Sounddesign
"Sardinia - Ark of Stone" (2021) - Rolando Menardi (pre TV) - Sounddesign
"Die Doppelte Frau" (2021/2022) - Beate Thalberg - Soundddesign
Universum "Slowenien" (2022) (DreiD.at) - Sounddesign
"Día 91" - Elena Martin Lobera - (2022) Sound Editing, Mix
"Quality Time" - (2022) Sophia Hochedlinger - Sound Editing, Mix
"The Wish" - Silvia Knödelsdorfer - Mix
"Die Räuberinnen" - (2023) Isa Schieche - Location Sound, Sounddesign, Mix
"POOL" - (2023) Sophia Hochedlinger - Location Sound, Sounddesign, Mix